Grief Crosses All Boundaries
Friday, July 27th, 2007by Eleanor Clift, Newsweek
A new play about the life of a young woman run down by Israeli forces in Gaza may be politically controversial, but it speaks to cross-cultural human truths that deserve an audience.
Maybe you’ve heard something about the play, “My Name Is Rachel Corrie.” You probably haven’t seen it; few people have. But you know it’s controversial, that it’s not balanced, that it’s too sympathetic to the Palestinian point of view and doesn’t fairly present the Israeli side.
That’s all true, and it was enough to get a scheduled production in New York City canceled. But the play is also a remarkable piece of art, and it’s not meant to be balanced. It’s based solely on the writings, journals and e-mails of a young woman volunteering for a peace organization who was run over by a bulldozer operated by the Israeli Defense Forces in Rafah, in the Gaza Strip, on March 16, 2003.
Topping the list is “My Name Is Rachel Corrie,” about the young American activist who was killed in 2003 in a pro-Palestinian protest in Gaza. One CATF board member and donor resigned and some regular subscribers canceled after Artistic Director Ed Herendeen chose the play, objecting to its critical portrayal of Israel. CATF Associate Producing Director Peggy McKowen wrote in an e-mail to Backstage that subscriptions are “holding steady” compared with the previous two years. “Rachel Corrie” also provoked controversy last fall when the 
